>>>>DD,
>>>>
>>>>So you don't want to deal with the nut of the problem?
>>>
>>>George,
>>>
>>>Well, I sure don't want her harping at me. I do fret over things like that as I'd really rather not fall flat on my face and have her get sharp with me.
>>>
>>DD,
>>
>>I thought you might be singing that tune. The key is to always get plenty of rest, so you can always be up to tempo. Don't, and who knows? You might go over the edge (or in this case over a clef). (Ouch! that one hurt).
>
>George,
>
>Well, I am interested in harmony here... Perhaps, as you said, a rest is in the chords...
>
DD,

Oh certainly. We want neither dischord nor cacaphony. However, my bass instinct tells me that Michel may not like the tenor of this thread and we may have to treble our efforts to bring it back to an acceptable level. If not he may cut us down (in which case, given the nature of this, he would probably shout "Timbre").