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>I did learn some Japanese, grammar and all at some point so I appreciate your comments and also agree with them. I do not know Mandarin or Thai or tonal languages so I don't know the difficulty.
It is just so conceptually different to have the pitch/tone of a word determine its meaning. The word 'ma' in Thai can mean mother, dog, horse, or come depending on the tone. Thai has only 5 tones. Lao has 7 or 9. I think Mandarin has 5 and Cantonese 9. I've never been able to hear the distinction of more than 7 and then only in controlled drills. You can get it from context, usually, but when speaking it is unlikely you'll get it right except by accident <g> unless you've spoken it from childhood.
We are so used to changing the pitch of a word to inflect meaning to the sentence that it is a hard habit to break.
It also explains why vocal music in Chinese is really awful to Western ears. <g>
I am told there is a sound in Arabic that if you don't start making in before you are 7 you will never get it correct.
Charles Hankey
Though a good deal is too strange to be believed, nothing is too strange to have happened.
- Thomas Hardy
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-- T. S. Eliot
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